"Small paintings abound in Abstract Expressionism. The decreased importance given them seems more a product of art critics' rhetoric - presuming and promoting the ambition, vastness, and other "sublime" qualities of big paintings - than a reflection of actual artistic practice."
-Jeffrey Wechsler in the exhibition's catalogue
In the Spring of 1995, Manny Silverman Gallery in Los Angeles, California organized an exhibition of small-scale artwork by Adolph Gottlieb. The show included four decades of small-scale paintings, works on paper, and sculptures by the artist and highlighted Gottlieb's focus on creating abstract images regardless of the size of the object. Below is a selection of installation images, catalogue essays, and individual works in the exhibition.
"During the more than thirty-year span of Gottlieb's Abstract Expressionist enterprise, he seemed to approach all the elements of his art - subject matter and narrative, composition, gesture, color, size - with an open, unregimented mind. His retention of the relatively small Pictograph format well into the time when most of his fellows had moved into much larger, totally nonobjective art shows him to be an independent thinker whose stylistic shifts proceeded from inner purpose. His small paintings were scaled properly to the individual intentions of each specific work, fit the needs of each period of his art, and comprise a record of Gottlieb's ongoing balance of the objective and subjective aspects of his creative process."
-Jeffrey Wechsler in the exhibition's catalogue
A selection of artwork spanning each period of Adolph Gottlieb's practice that was exhibited in Adolph Gottlieb: Small Images Spanning Four Decades: